Introduction
Astrid Ensslin, Lisa Swanstrom & Pawel Frelik – Introducing Small Screen Fictions
Part 1: E-Lit for Kids
Sara Tanderup – Touching Books on Screen: Bridging Media Cultures and Generations with William Joyce’s The Fantastic Flying Books of Mr. Morris Lessmore
Aline Frederico – Children Making Meaning with Story Apps: A 4-year-old Encounter with The Monster at the End of This Book
Sarah Mygind – A Chinese Cluster: Danish-Born Digital Comic as Source for Transmedia Design and Innovation
Mark Marino – Interview
Part 2: Gaming Fictions
Stuart Moulthrop – Deep Time in Play
Karlien van den Beukel – Fallen London: Authorship and Game Allegory
Part 3: Networked Narratives
Joshua Hussey – The Image of Agglutination, or Many Small Screens Chained Together: Narrative Assembly in Merritt Kopas’s Obéissance and Sam Barlow’s Her Story
Kristine Kelly – Charting Paths: Networks and a Mobile Aesthetic Practice in Pullinger and Joseph’s Flight Paths and Heyward’s of day, of night
David M. Meurer – Conditions of Presence: Topological Complementarities in The Silent History
Dene Grigar – Interview
Part 4: Old / New Aesthetics for the Small Screen
Meredith Dabek – Replies, Retweets, and Reblogs: Modes of Participation in The Lizzie Bennet Diaries
Caleb Milligan – Touching the Page of the Small Screen: Haptic Narratives and “Novel” Media
James O’Sullivan – “The Dream of an Island”: Dear Esther and the Digital Sublime
Part 5: Postscript
Steve Tomasula – Vast Landscapes, Small Screens, and Altered Perspectives